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HanCinema's Drama Review 'The King's Face' Episode 21
Hancinema's Drama Review 'the King's Face' Episode 21

HanCinema's Drama Review 'The King's Face' Episode 21

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Gah-hee, at the other hand, has come into her own whilst Do-chi jumped off the deep end. She stands robust in the face of the new, very arrogant queen and works neatly with Gwanghae"s quiet, yet strong-willed wife. I actually like that the ladies have a greater role to play now as they sorely lacked any veritable activity. Even though Ga-hee used to be a warrior, she was still two dimensional and that warrior"s spirit didn"t appear to hold over into her lifestyles as the king"s companion. Now it in spite of everything shines via and makes me wish for personality consistency.The introduction of Queen Inmok, like the introduction of Heo Gyeon a couple of episodes ago, serves the similar reason - bringing in a brand new face and together with it new interest. Unfortunately Heo Gyeon"s novelty temporarily wore off secure for the infrequent spats he has with Eunuch Im. Queen Inmok may hang some intrigue, but the writers eliminate her lack of confidence and most effective display the confidence that mask it, growing yet some other stale character.

Also, the direction from time to time tries to be inventive in the shape of fast camera cuts which are more nauseating than effective. It"s a flailing try to seize for more cast written floor that fails.Written by: Raine from "Raine"s Dichotomy"

HanCinema's movie Review 'King of Pigs': Zoomorphism and sophistication Warfare
Hancinema's Movie Review 'king Of Pigs': Zoomorphism And Sophistication Warfare

HanCinema's movie Review 'King of Pigs': Zoomorphism and sophistication Warfare

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"King of Pigs" is a dismal animation that's saturated with pessimism and salted with helplessness. This is global were category is king, where the system regulations all, and where one"s position within it's final. Depression, abusive, violence, and cruelty are the vices that continually beat down upon Jong-suk and his company as they exist, struggle, and hand over to the hardships the arena has set for them.

Audience Question - The voices of the 3 kid characters were conducted by women. I would love to grasp if this used to be done to symbolize the characters as weak?Yeon Sang-ho (director) - Originally, I planned to have these 3 characters voiced by men. Yang Ik-joon stated he couldn"t voice the center school elderly edition of his character. The voice of an adult guy would now not sound appropriate and if done by youngsters it can be tough for them on account of complicated phrases. In animations, usually, girls carry out the voices for young male characters. the more youthful characters in my film are first year center school students, so I assumed that it could be more suitable to have girls voice the college children.Audience Question - I have 3 questions for the director. Firstly, for your outdated animation "Love is Protein" (part oof "Indie Anibox : Selma"s Protein Coffee"), dogs and hen seem as humans. Is there a explanation why you personify animals? Secondly, in "King of the Pigs", bullied kids are labelled as pigs and bullies are labelled as dogs. What class is upper than a dog? Lastly, while you were in class what class did you fall in?Yeon Sang-ho (director) - In the animation "Love is Protein" (part oof "Indie Anibox : Selma"s Protein Coffee"), low source of revenue other people exploit each and every other to survive. So a white meat delivers a chicken. Resolution to your 2d question - the system which made the categories of pigs and dogs is above the dogs. Answer to your ultimate question - when i used to be at school I become a student who just watched what occurred and felt guilty.Audience Question - I idea Chul-Yi resembled a pig. Was this associated with Chul-Yi being called the "King of Pigs?" Did you're making Chul-Yi seem like a pig on purpose?Yeon Sang-ho (director) - I didn"t draw Chul-Yi to seem like a pig. I thought Chul-Yi was a sexy boy. some of the characters, Chul-Yi was the maximum handsome.Audience Question - i am getting curious when I watch videos about school violence, because when I attended school there wasn"t that more or less violence. Did you operate school violence in this film to specific positive broader mind or in my opinion revel in violence in school like in the film?Yeon Sang-ho (director) - I witnessed the Wager denims incident and the pouring of urine in middle school. That actually happened. I drew the characters whilst taking a look via my middle school yearbook. Even the nature names are very an identical to sure scholars I knew. i suspect if they watch the motion picture they'll know which persona represents which student. I feel nowadays, the placement in colleges are worse than in the movie.Audience Question - In the animation, Chul-Yi continues to have evil thoughts, but, suddenly, after Chul-Yi hears his mom speaking at the telephone and confronts Kyung-Min"s father his way of thinking changes. I know it"s imaginable to modify like that, yet what do you take into consideration that? In the first actual scene, Kyung-Min"s wife seems to be dead. Did she kill herself or was she murdered? For the voice actors let us know how the voice acting went?Yeon Sang-ho (director) - Kyung-Min"s wife is dead. That scene was there to create an ominous temper from the beginning. Kyung-Min killed his wife and attempted to kill himself. But, he in the end is going out to satisfy Jong-Suk. Chul-Yi realizes that he cannot solve the class complications in his school after seeing kids who are less than him have folks which are better than his. At that point he's confused. the opposite reason his frame of mind adjustments is due to his mother. When I made this movie I keen on making the audience feel uneasy or disturbed. Hopefully, the audience feels that.Kim Kkobbi (actress) - The voices for adult Jong-Suk and Kyung-Min were recorded sooner than the animation was completed. the kid characters were recorded after the animation was done. So, for the newborn characters, it was more difficult. The acting for an animation is a lot more challenging than an ordinary movie. In movies, I will express what I wish to express, but for animations I need to sync my voice to the picture and put emotional emotions into my voice, in addition stay the mindset of a boy. It was difficult, but we finished in 2 days.Yang Ik-joon (actor) - About 5-6 years ago I read the state of affairs for "King of Pigs" and that evening I couldn"t fall asleep. I was apprehensive by the social nature of the scenario. those that express one of these hobby and violence were bystanders in school. When they transform adults they act this stuff out. I am one of them. My motion pictures are the same. 5-6 years ago, when I read the script I was shocked. The script was the most efficient script I had read up till that point. Because of this, I kept an eye on him and watched the development of the animation. He"s also a close friend & colleague of mine. I made my first long film slightly before Yeon Sang-ho. We talked a lot. Korea isn"t known for its animations and for any person from here to make an animation like this they will have to be admired and respected. i am hoping you give him a large circular of applause.Audience Question - I am a painter so I concentrated on the visual images. I know the rough, minimalistic drawings created the precise mood for the film, but, at the similar time, i may see that spatially some things didn"t appear right. For example, the small condominium had a wide door which would be more appropriate in a miles larger apartment. I would prefer to understand if this was an error or you didn"t care about the spatial qualities of the drawings?Yeon Sang-ho (director) - About the animation. a huge number of it leaves much to be desired. We worked with a limited budget. It was difficult to mediate. Animation calls for individuals to paintings in combination and make corrections unless it is right. payment is generated by making these corrections. As a director, i must come to a decision whether it has to be corrected or not corrected, unless, we can"t even whole the work due to the budget. What I targeted on the most was the emotional expressions. Made certain to have a consistent form of emotions. I wrote the scenario in no time powered by a surge of emotions. I was hoping to have the animation advanced like that. I think the animation went out like that.Audience Question - Background of the movie is decided in a school. i might be expecting teacher"s to have gave the impression a load more than they did in the movie. Could you give an explanation for why?Yeon Sang-ho (director) - I gave a lovely thin description of dogs, who are essentially students that wields power, because studies involving students who wields vitality has been handled in quite so much of movies. What "King of Pigs" deals with is the children who don"t have power. That"s why I didn"t have a number of instructor characters. They are like beside the point people, who don"t go unless it advantages them. By some means they wield justice.Audience Question - I would love to know the importance of Jong-Suk"s tear in the last scene?Yeon Sang-ho (director) - I think Jong-Suk"s tear in the last scene seems like atonement and one way or the other feels liberating.Audience Question - You discussed that you finished the normal script very quickly. What encouraged you?Yeon Sang-ho (director) - I were given inspired by my dream. While serving in the military, I wrote down about 10 pages of memos from a dream. When writing the original screenplay the tale replaced a lot. While making "King of Pigs", the work that inspired me the most was the manga "Himizu" by Minoru Furuya. Also, while writing the original screenplay, I was inspired by Clint Eastwood"s "Mystic River".

[HanCinema"s Drama Review] "The King"s Face" Episode 23 (final)

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King Seonjo was another character I wanted to see more out of. Yes, he was weak, selfish, and a lackluster king, but his jealousy of Gwanghae and the innate competitiveness he felt towards his more competent son was not was used to its fullest. The reverse is true. Gwanghae was not unaware of his father"s emotions and still blindly worshiped him. It is part of what made Gwanghae a two dimensional character as well. He had all the makings of a hero, but his inner workings were not shown nearly enough nor did we see the emotional turmoil he felt when his father made bad decisions or when he felt jealousy or selfish anger. In fact, I don"t recall much selfish anger in this show. It was mostly righteous anger on behalf of his country, which is great, but it doesn"t help to flesh out Gwanghae. In fact, Gwanghae had very little fallibility, which made him boring.

Seo In-guk did the best he could with what he had. Based on his other work, Seo is a capable actor as are the other main leads who have impressive bodies of work behind them. I must conclude that the writing turned a cast of talented people into an army of stiff players who had little depth. As time went on, the performances became even more stilted as the characters became caricatures of heroic, evil, and subservient. The humanizing factor was lacking. On a few occasions there were some powerful moments, but they didn"t not carry nor were they replicated.

Do-chi, the ultimate villain, was the bad guy, but he wasn"t truly pitiable, which would"ve made him a fantastic villain. He drove himself insane trying to achieve his goal, twisting himself and the people around him to win. It"s such a fantastic, tragic character path that, in the end, was badly planned and timed so that his death meant little. It carried little emotional ambivalence or feelings of pity.

[HanCinema"s Drama Review] "The King"s Face" Episode 22

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Speaking of Gwanghae, he is much more confident now and the passage of time has been well-shown in his character. The time skips still make little sense in how they are placed and utilized, especially in the ensuing scenes that should explain what has passed during the skipped time. Regardless, Gwanghae has gained many followers and many enemies. One of the biggest followers is Heo Gyeon who made his entrance as comic relief and who is now showing is true worth: an ideological radical who is believed to have penned the legendary story of Hong Gil Dong, the Korean Robin Hood. Before the last two episodes he didn"t live up to his historical name, but he certainly does now. His extreme views sink Gwanghae into trouble as well as those who support Gwanghae as a future king. This is the kind of plot stuffs that should"ve been brought in sooner. The episode was the most exciting yet with all of the intrigue flying about.

Part of the intrigue is due to the dogged perseverance of the escaped Do-chi. He is loyal to no one but himself, and uses power-hungry royals to further his cause. The young queen Inmok and the disregarded oldest prince Imhae are the two that he has in the palm of his hand. Although his plans and ability to network are remarkable and provide wonderful plot material, Do-chi"s character still lacks. The inner motivations that drive him are still not made clear and they would allow the viewer to connect better with him.

After all of this time, the king has become no less self-centered. He has, however, become even more paranoid and willing to strike out at anything that threatens his throne. King Seonjo"s deteriorating health has put him on guard against rumors and Do-chi uses that tension to his advantage. In fact, the king has become more irrational with age and he makes unilateral decisions that are influenced by the gossip he hears. While his retainers become more crafty with age, the king does just the opposite. It makes him a terrifying and unpredictable opponent.

KBS2 Drama "The King's Face" Episode 18 Review and Full Video

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Aside from the face, Ga-hee is settling into court life and the court is struggling to acclimate to her. Lady Kim, the head consort, is insanely jealous of her replacement. As the mother of four sons, she aspires for one of them to be king. Since Sinseong passed, her eyes are now set on Jungwon who is cunning and set to avenge his mother"s humiliation at being pushed aside for Ga-hee. He is more dangerous than Sinseong was and hopefully that"ll make him more interesting than Sinseong and Imhae, the two brothers who were in line to push Gwanghae from the throne. Imhae is still pathetic and dimwitted. He is like a royal placeholder for the bloodline and nothing more. Despite the fact that he is historically inane, such a character can still be used better than he has been. The introduction of Jungwon into the running has made Imhae less useless.

Then there is the streak of jealousy running through the "The King"s Face". The king is jealous of any time that Ga-hee spends with any other men, which only means its a matter of time before he discovers her relationship with Gwanghae. Lady Kim is jealous of Ga-hee as the favored concubine. Im-hae is jealous of Jung-won as the favored son. As political tensions rise, they fan the flames of jealousy. The tension is a breeding ground for jealousy.

The foreign relations are bolstering the intrigue of "The King"s Face". Again, this show"s dependence on the historical prestige of the story of Gwanghae is frightening. It has very little intrinsic motivation. Give me more.

KBS2 Drama "The King's Face" Episode 17 Review and Full Video

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King Seonjo has, as of late, been making more appearances, showing that he is a coward and letting other people take on his responsibilities for him. Pitting this weak king against Gwanghae"s magnetic personality is one of the inherent literary beauties of the story. What makes the king strong is those around him; what makes Gwanghae strong is his spirit. The juxtaposition of the two family members and enemies is something the show seems to be using. The king allows Do-chi to do his dirty work; the prince does his work himself. Involving Ga-hee as the king"s concubine may change the dynamic between father and son; it should, but the writing in this show hasn"t been strong enough or consistent enough for me to expect it.

Do-chi and Gwanghae"s rivalry is a good one. They have loaded conversations that grow into action. The scenes between them are purposeful and engaging. On the other hand, there are strange, disjointed scenes that depict what Gwanghae"s men are doing in Manchuria. These don"t have much impact at all. In fact, it would"ve been better to narrate them than to spend the time and money filming them.

With Ga-hee in the palace, "The King"s Face" enters its third stage. I"ve lost hope that the quality will improve. I can only hope that the import of the original story is able to carry it through.

[HanCinema"s Drama Review] "The King"s Face" Episode 16

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Do-chi has come into his own and is less of a pushover character. He has chosen his path and acts on it. His cunning is what makes him interesting. I want more of what"s happening internally. That"s a blanket comment. The characters" inner turmoil is hard to decipher unless it"s spoonfeed with a voiceover or belabored dialogue. At least Do-chi now has a discernible motivation as a villain. His emotions regarding Ga-hee are ambivalent, which shows a lack of follow through, especially since he was so in love with her at the start of the drama. All of Ga-hee"s relationships are lukewarm in presentation although in dialogue they are mentioned as intense. It"s a disservice to the actor, the character, and the people who have to watch her go through the motions. Perhaps when she transitions into her role as the king"s concubine her character will find her legs much like Do-chi and King Seonjo did.

"The King"s Face" is directed by Cha Yeong-hoon and Yoon Seong-sik, written by Lee Hyang-hee and Yoon Soo-jeong, and features Seo In-guk, Jo Yoon-hee, Lee Seong-jae, and Sin Seong-rok.

KBS2 Drama "The King's Face" Episode 15 Review & Full Movie

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As for Ga-hee and Do-chi, they are two characters who have partially fallen off the grid. The writer only makes use of them as pawns. They are no longer strategic parts of the plot or interesting characters in and of themselves. I"d like to see Do-chi"s downward spiral developed (are you noticing a pattern?) beyond simple steps towards his goal. He needs psychological dilemma; interactions with more than one or two people. This is a recurring issue with "The King"s Face", wonderful setup, and little follow through. Any time serious development is necessary it is avoided by including pointless plotting, or with copout voiceovers.

"The King"s Face" is directed by Cha Yeong-hoon and Yoon Seong-sik, written by Lee Hyang-hee and Yoon Soo-jeong, and features Seo In-guk, Jo Yoon-hee, Lee Seong-jae, and Sin Seong-rok.

KBS2 Drama "The King"s Face" Episode 12 Review & Full Video

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King Seonjo notoriously leaves his people and flees north to protect himself. He leaves Prince Gwanghae in charge of defending the capital. "The King"s Face" depicts the king as a coward we know him to be, but it also shows the struggle he faces in making that decision. While this drama, for the most part, has failed to make the king an interesting character, the agony that Seonjo faces in deciding to flee makes him much more colorful. He is less a writer"s tool and more a veritable character. Until now, he"s been selfish and jealous, but not much else. The change in his character wasn"t shown. He was supported by the cast of characters we find in his bickering, narcissistic ministers, but could not stand on his own.

Gwanghae, on the other hand, can and mostly does stand on his own as a character. Unfortunately this episode turned him into the caricature of a hero who made noble speeches, but lacked the depth to pull it off. Seo In-guk made a noble attempt to make him powerful, but the whole thing was rather Shakespearean in delivery - it didn"t fit.

The few scenes with interesting filming techniques also didn"t fit the general tone of the drama. They were beautiful and visually alluring, but stuck out of the visual landscape the director had previously created. That is the general issue I have with "The King"s Face" - a lack of consistency in tone whether it be in dialogue or camera work. The history that backs the script is what holds it together.

KBS Drama "The King's Face" Episode 11 Review and Full Video

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Gwanghae"s brother, Imhae, is more developed than Seonjo. Imhae is slow-witted, ambitious, violent, but had a good relationship with his younger brother despite his jealousy of the keen Gwanghae. Gwanghae looked up to his brother. While the relationship wasn"t the closest, it was definitely very relatable. "The King"s Face" would"ve done better had they made this relationship more solid. In any case, now that Imhae has declared Gwanghae his enemy as they battle for the title of crown prince, the brotherhood has fractured and the pain spurs Gwanghae on. It"s a tried but true plot device that works well in the drama.

If Imhae was brighter, he could be Gwanghae"s true adversary – that role goes to Do-chi, who lacks the consistency of development that Imhae is fortunate enough to have.

Perhaps now that war has broken out the pace of "The King"s Face" will pick up and there will be more intrigue. Thus far, everything has been quite predictable and rather lackluster.