The things that make "Who Are You - 2013" appealing are all associated with its other method in comparison to maximum dramas in the romance genre. For one, the series feels more like a mystery/suspense one. Yes, romance does have its position in it, principally for what it does for Si-on as an individual in the procedure of her healing, yet it's miles never the sole or greatest focus. whilst the 2 male leads are given a huge number of screen time and focus, this may be in the long run a sequence about Si-on and hence her story, which in itself is uncommon in Korean drama. The loss of standard tropes corresponding to a difference at school between the romantic pairing, lack of circle of relatives involvement and other such components also make this feel fairly trendy and surely no longer at the soapy side. While predictable in some parts, the series also delivers a couple of great twists by way of Si-on"s beyond and the development which caused it all, which stay one guessing all over all the time.
While the acting isn't similarly just right by all involved, Taecyeon in specific suffering to be watchable, the characters make for some interesting relationships. The most important pair are, above all else, partners and pals and it's stunning that the series does now not let the enchantment between them by some means exchange that. There is respect, there is being concerned and co-operation. The romance itself also is not presented in an overly fairytale-like manner, either characters acknowledging they are at the early stages of liking every other when it does kick in. The secondary characters are, with multiple exceptions, sensible in serving the plot and therefore feel like they belong. And here is the overall feeling the series gives. It had a tale to inform and did it, it felt coherent.
Of course, sure performances aside, as mentioned, the series does have its issues too. While the case-per-episode layout starts things off, it is instantly deserted in prefer of the central plot. While one of the previous instances do come again later on, in some ways, they most commonly feel like an creation and the format switch feels a bit of badly planned. it's also quite irritating that, regardless of Si-on being a robust individual that makes sense and capable despite her pain, she is victimized just about in each episode, to serve the plot and to have Geon-woo save her time and time again. it's the vintage damsel in misery trope and it sounds like a reasonable effort to sauce up the romance and carry Geon-woo, but an needless one, since characterization does it without the desire for turning Si-on into a punching bag for thrills.