Korean film of the week

Korean film of the week "Fashion King - Movie"

Korean film of the week "Fashion King - Movie" (2014)Directed through Oh Ki-hwanWith Joo Won, Choi Seol-ri, Ahn Jae-hyeon, Park Se-yeong, Kim Seong-oh, Lee Il-hwa,...SynopsisBased on a web-toon, a boy comes to a decision to change into the coolest guy around college to get the eye of the prettiest lady in his classroom.Release date in Korea : 2014/11/06

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Fashion Clothier at the back of mask on King of Mask Singer Finds His mind About His Work

Fashion Clothier at the back of mask on King of Mask Singer Finds His mind About His Work

Fashion Designer At the back of Masks on “King of Mask Singer” shows His Thoughts About His Work Hwang Jae Keun, the designer behind the ingenious masks at the masked making a song festival “King of Mask Singer,” these days printed his thoughts about his new line of work.

“I made up our minds to make masks because i presumed that garments were now not the sole solution,” he said. “After I introduced my brand, my attire failed to sell in addition I concept they would. Afterwards I stopped taking a look at clothing alone. I thought that there were such so much of things I may just design as well.”

king of mask singer hwang jae keun Source: Hwang Jae Keun Facebook

king of mask singer hwang kae keun Source: Hwang Jae Keun Facebook

The fashion designer gave the impression on the 2011 OnStyle display “Project Runway Korea Season 3.” “I began as a way designer yet after most effective making clothes for some time I made a decision to create a utterly unique signature that no other designer might copy,” he said. “Taking on masks used to be a surprising extension of my field.”

About “King of Mask Singer,” he said, “It’s a program that receives numerous love. i am hoping with the aim to change into a distinct mask designer. Design is anything I do because I in reality love it.”

Hwang Jae Keun has also seemed on more than a few MBC form methods reminiscent of “I are living Alone,” “Radio Star,” and “Quiz to switch the World.”

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HanCinema's Drama Review 'The King's Face' Episode 21

HanCinema's Drama Review 'The King's Face' Episode 21

King Seonjo comes face-to-face with his own demons in the kind of a guy he once trusted: Do-chi. Like the king, Do-chi is crammed with arrogance and the theory that he's invincible. Neither are ready for their downfalls, which makes this episode and their crash to rock backside the most attractive thus far.Do-chi has spent years manipulating and mendacity to people, construction up his energy base and hoping to bring about alternate in Joseon. The irony of it all is that he has changed into the guy he despises so as to do it. He has develop into as twisted as he imagined King Seonjo to be. All of his deceptions are now coming back to hang-out him and the poetic twist is that he is too corrupted through the facility he accuses the king of abusing to peer what he has become. It"s the maximum productive a section of his character"s creation, this culmination of his pathetic being.

Gah-hee, at the other hand, has come into her own whilst Do-chi jumped off the deep end. She stands robust in the face of the new, very arrogant queen and works neatly with Gwanghae"s quiet, yet strong-willed wife. I actually like that the ladies have a greater role to play now as they sorely lacked any veritable activity. Even though Ga-hee used to be a warrior, she was still two dimensional and that warrior"s spirit didn"t appear to hold over into her lifestyles as the king"s companion. Now it in spite of everything shines via and makes me wish for personality consistency.The introduction of Queen Inmok, like the introduction of Heo Gyeon a couple of episodes ago, serves the similar reason - bringing in a brand new face and together with it new interest. Unfortunately Heo Gyeon"s novelty temporarily wore off secure for the infrequent spats he has with Eunuch Im. Queen Inmok may hang some intrigue, but the writers eliminate her lack of confidence and most effective display the confidence that mask it, growing yet some other stale character.

Also, the direction from time to time tries to be inventive in the shape of fast camera cuts which are more nauseating than effective. It"s a flailing try to seize for more cast written floor that fails.Written by: Raine from "Raine"s Dichotomy"

"The King"s Face" is directed by Cha Yeong-hoon and Yoon Seong-sik, written by Lee Hyang-hee and Yoon Soo-jeong, and contours Seo In-guk, Jo Yoon-hee, Lee Seong-jae, and Sin Seong-rok.

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HanCinema's movie Review 'King of Pigs': Zoomorphism and sophistication Warfare

HanCinema's movie Review 'King of Pigs': Zoomorphism and sophistication Warfare

Their faculty existence is governed via a merciless elegance gadget that exists inside of their world, with a sturdy emphasis on an oppressive determinism that defines them as individuals. The zoomorphic analogy of "dogs" and "pigs" is used to assign placement within this hierarchy, with the latter being where those two pals exist. there's a transparent melancholic tone and sense of powerlessness here as the 2 are continuously reminded in their inferior role in the world, trapped within a components this is as unforgiving as it's miles inescapable. 

The two then befriend Cheol-Yi (Kim Hye-na); a morbid particular person who, regardless of being a "pig" himself, stands up to the abusive "dogs" and in the procedure earns himself royal prestige within the sounder. Jong-Suk, in particular, embraces Cheol and all that he stands for, permitting him to constitute all that he desires he may neatly be and achieve. Cheol is the leader or king whose actions, and more importantly choices, are against Jong-suk"s own station. 

"King of Pigs" is a dismal animation that's saturated with pessimism and salted with helplessness. This is global were category is king, where the system regulations all, and where one"s position within it's final. Depression, abusive, violence, and cruelty are the vices that continually beat down upon Jong-suk and his company as they exist, struggle, and hand over to the hardships the arena has set for them.

- C.J. Wheeler ([email protected])

Below is the Q&A consultation that happened at the 2011 Busan Overseas movie Festival previous this year. (Source)

Audience Question - The voices of the 3 kid characters were conducted by women. I would love to grasp if this used to be done to symbolize the characters as weak?Yeon Sang-ho (director) - Originally, I planned to have these 3 characters voiced by men. Yang Ik-joon stated he couldn"t voice the center school elderly edition of his character. The voice of an adult guy would now not sound appropriate and if done by youngsters it can be tough for them on account of complicated phrases. In animations, usually, girls carry out the voices for young male characters. the more youthful characters in my film are first year center school students, so I assumed that it could be more suitable to have girls voice the college children.Audience Question - I have 3 questions for the director. Firstly, for your outdated animation "Love is Protein" (part oof "Indie Anibox : Selma"s Protein Coffee"), dogs and hen seem as humans. Is there a explanation why you personify animals? Secondly, in "King of the Pigs", bullied kids are labelled as pigs and bullies are labelled as dogs. What class is upper than a dog? Lastly, while you were in class what class did you fall in?Yeon Sang-ho (director) - In the animation "Love is Protein" (part oof "Indie Anibox : Selma"s Protein Coffee"), low source of revenue other people exploit each and every other to survive. So a white meat delivers a chicken. Resolution to your 2d question - the system which made the categories of pigs and dogs is above the dogs. Answer to your ultimate question - when i used to be at school I become a student who just watched what occurred and felt guilty.Audience Question - I idea Chul-Yi resembled a pig. Was this associated with Chul-Yi being called the "King of Pigs?" Did you're making Chul-Yi seem like a pig on purpose?Yeon Sang-ho (director) - I didn"t draw Chul-Yi to seem like a pig. I thought Chul-Yi was a sexy boy. some of the characters, Chul-Yi was the maximum handsome.Audience Question - i am getting curious when I watch videos about school violence, because when I attended school there wasn"t that more or less violence. Did you operate school violence in this film to specific positive broader mind or in my opinion revel in violence in school like in the film?Yeon Sang-ho (director) - I witnessed the Wager denims incident and the pouring of urine in middle school. That actually happened. I drew the characters whilst taking a look via my middle school yearbook. Even the nature names are very an identical to sure scholars I knew. i suspect if they watch the motion picture they'll know which persona represents which student. I feel nowadays, the placement in colleges are worse than in the movie.Audience Question - In the animation, Chul-Yi continues to have evil thoughts, but, suddenly, after Chul-Yi hears his mom speaking at the telephone and confronts Kyung-Min"s father his way of thinking changes. I know it"s imaginable to modify like that, yet what do you take into consideration that? In the first actual scene, Kyung-Min"s wife seems to be dead. Did she kill herself or was she murdered? For the voice actors let us know how the voice acting went?Yeon Sang-ho (director) - Kyung-Min"s wife is dead. That scene was there to create an ominous temper from the beginning. Kyung-Min killed his wife and attempted to kill himself. But, he in the end is going out to satisfy Jong-Suk. Chul-Yi realizes that he cannot solve the class complications in his school after seeing kids who are less than him have folks which are better than his. At that point he's confused. the opposite reason his frame of mind adjustments is due to his mother. When I made this movie I keen on making the audience feel uneasy or disturbed. Hopefully, the audience feels that.Kim Kkobbi (actress) - The voices for adult Jong-Suk and Kyung-Min were recorded sooner than the animation was completed. the kid characters were recorded after the animation was done. So, for the newborn characters, it was more difficult. The acting for an animation is a lot more challenging than an ordinary movie. In movies, I will express what I wish to express, but for animations I need to sync my voice to the picture and put emotional emotions into my voice, in addition stay the mindset of a boy. It was difficult, but we finished in 2 days.Yang Ik-joon (actor) - About 5-6 years ago I read the state of affairs for "King of Pigs" and that evening I couldn"t fall asleep. I was apprehensive by the social nature of the scenario. those that express one of these hobby and violence were bystanders in school. When they transform adults they act this stuff out. I am one of them. My motion pictures are the same. 5-6 years ago, when I read the script I was shocked. The script was the most efficient script I had read up till that point. Because of this, I kept an eye on him and watched the development of the animation. He"s also a close friend & colleague of mine. I made my first long film slightly before Yeon Sang-ho. We talked a lot. Korea isn"t known for its animations and for any person from here to make an animation like this they will have to be admired and respected. i am hoping you give him a large circular of applause.Audience Question - I am a painter so I concentrated on the visual images. I know the rough, minimalistic drawings created the precise mood for the film, but, at the similar time, i may see that spatially some things didn"t appear right. For example, the small condominium had a wide door which would be more appropriate in a miles larger apartment. I would prefer to understand if this was an error or you didn"t care about the spatial qualities of the drawings?Yeon Sang-ho (director) - About the animation. a huge number of it leaves much to be desired. We worked with a limited budget. It was difficult to mediate. Animation calls for individuals to paintings in combination and make corrections unless it is right. payment is generated by making these corrections. As a director, i must come to a decision whether it has to be corrected or not corrected, unless, we can"t even whole the work due to the budget. What I targeted on the most was the emotional expressions. Made certain to have a consistent form of emotions. I wrote the scenario in no time powered by a surge of emotions. I was hoping to have the animation advanced like that. I think the animation went out like that.Audience Question - Background of the movie is decided in a school. i might be expecting teacher"s to have gave the impression a load more than they did in the movie. Could you give an explanation for why?Yeon Sang-ho (director) - I gave a lovely thin description of dogs, who are essentially students that wields power, because studies involving students who wields vitality has been handled in quite so much of movies. What "King of Pigs" deals with is the children who don"t have power. That"s why I didn"t have a number of instructor characters. They are like beside the point people, who don"t go unless it advantages them. By some means they wield justice.Audience Question - I would love to know the importance of Jong-Suk"s tear in the last scene?Yeon Sang-ho (director) - I think Jong-Suk"s tear in the last scene seems like atonement and one way or the other feels liberating.Audience Question - You discussed that you finished the normal script very quickly. What encouraged you?Yeon Sang-ho (director) - I were given inspired by my dream. While serving in the military, I wrote down about 10 pages of memos from a dream. When writing the original screenplay the tale replaced a lot. While making "King of Pigs", the work that inspired me the most was the manga "Himizu" by Minoru Furuya. Also, while writing the original screenplay, I was inspired by Clint Eastwood"s "Mystic River".

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IU  has   reportedly paid a visit to Yoo In Na on  the  film  set of the show called Fashion King

IU has reportedly paid a visit to Yoo In Na on the film set of the show called Fashion King

IU Visits Bestie Yoo In Na on the Set Of Fashion King to Show Support IU and Yoo In Na are like sisters, supporting each other on and off camera.

On June 26, fashion designer Go Tae Yong posted a picture on his Instagram with the caption, “Chef Lee Won Il’s Dear Bread along with IU and In Na. What are the four of us doing? Please take care of my refrigerator? This week is the finale for the ‘Producer’ special and ‘Fashion King!’”

In the image, IU can be seen visiting Yoo In Na on the set of “Fashion King.” The two look like sisters, both radiantly beautiful and seemingly close.

Designer Go Tae Yong and Yoo In Na have been working together on “Fashion King,” a Korea—China reality program in which top notch designers team up with celebrities to present a special collaboration.

Meanwhile, IU and Yoo In Na have worked together on “Heroes” and “You’re the Best, Lee Soon Shin.” Since then, they have become one of the most well-known pairs of best friends in the entertainment field.

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“Fashion King” Starring Joo Won and f(x)’s Sulli Selected for Okinawa International Movie Festival

“Fashion King” Starring Joo Won and f(x)’s Sulli Selected for Okinawa International Movie Festival

Fashion King is the only film from Korea that was invited to the Okinawa International Movie Festival this year.

The film is based on the webtoon of the same name by cartoonist Keean84. Its story centers on Woo Ki Myung (played by Joo Won), a young man who has no plans or dreams until he takes up fashion design in order to impress his crush, Park Hye Jin (Park Se Young). However, hes so caught up on transforming into a Fashion King that he fails to notice that Kwak Eun Jin (f(x)s Sulli) has fallen for him and is similarly trying to take on a new look to get his attention. The film also stars actors Ahn Jae Hyun and Kim Sung Oh.

The Okinawa International Movie Festival has been held every year since 2009 with the theme of LaughPeace. This year, the festival is focusing on comedies and has invited films from over 16 countries in addition to Japan and Korea, including Russia, Cambodia, and Malaysia.

The film premiered in Korea last November. Following the festival, Fashion King will be released in Japan in theaters in early April.

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T-ara to perform for Malaysian royalty +

T-ara to perform for Malaysian royalty + "Fashion King" models!

T-ara to perform for Malaysian royalty +

Looks like SISTAR won"t be the only K-Pop group performing for royalty! It has been reported that T-ara will also be performing in Malaysia for the sultan"s coronation ceremony, which will take place from March 26 to March 29.

On March 26, T-ara was chosen to perform in honor of the newly enthroned Sultan Ibrahim Sultan Iskandar. T-ara will be taking the stage on the last day of celebrations alongside world stars like Black Eyed Pea"s Taboo. They are expected to deliver an amazing performance for the finale with 10 of their hit songs.

One representative explained, "T-ara"s songs are receiving a lot of love locally and because of extremely high demand, they will be performing something like a mini-concert during the sultan"s coronation ceremony."

Sounds like T-ara is finding a lot of success and popularity in Malaysia! The girls will be departing for the country on March 28 to perform for the sultan and their Malaysian fans.

In other news, T-ara has also just concluded filming for the opening stage of SBS funE"s "Fashion King" season 3. A broadcast representative told "Sports Today," "T-ara filmed for a special episode of "Fashion King." We wrapped up filming on the 25th. The models put on the show in tune with T-ara"s song."

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Seo In Young Coming Back To Host Fashion Survival Show Fashion King  The Secret Box

Seo In Young Coming Back To Host Fashion Survival Show Fashion King The Secret Box

Seo In Young Signs with New Agency, to Resume Activities as MC for Fashion Survival Show

After a long hiatus, musician Seo In Young is ready to come back!

On March 9th, talent management company Playton announced, “We have signed a contract with the former-Jewelry member Seo In Young.” They further announced that she will be resuming her activities as an MC for SBS‘s fashion survival show “Fashion King – The Secret Box.”

Seo In Young will be co-MCing the upcoming competition show with Super Junior-M‘s Zhoumi. Singer and entertainer Kim Jong Kook, actress Yoo In NaCNBLUE‘s Lee Jung Shin, and stylist Jung Yoon Gi will also be on the show.

Seo In Young debuted as a member of Jewelry in 2002. She released her first solo album in 2007.

Seo In Young’s upcoming program “Fashion King – The Secret Box” will air on SBS in late April.

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Yoo In Na and Kim Jong Kook Team Up to Lead

Yoo In Na and Kim Jong Kook Team Up to Lead "Fashion King" Season 3

Yoo In Na and Kim Jong Kook Team Up to Lead Fashion King Season 3

Kim Joong Kook and Yoo In Na have been selected as new host for the third season of  SBS’ fashion competition show "Fashion King."

According to industry insiders, the hosts recently confirmed their appearance on the show, and have already participated in the first shoot which was held today on March 5.

The experienced MCs will be joined by a number of star contestants, who have yet to be revealed to the public. This season, SBS has reportedly gone for a completely new concept, and there will be no weekly eliminations.

In the two previous seasons, “Fashion King” paired up famous fashionistas with talented designers, and the teams were given weekly missions to produce creative and fashionable garments for a fashion show.

The new season is expected to premiere at the end of April.

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[HanCinema"s Drama Review] "The King"s Face" Episode 23 (final)

The finale matched "The King"s Face" run in that it was disappointing and anticlimactic. Like the show, there were a few highlights, but those moments were not enough to save the finale or the show.

Gwanghae, through wisdom and an ability to read faces, climbed to the throne by using his intelligence and compassion. That was the premise of the show and "The King"s Face" stuck to it. The show was rather haphazard about Gwanghae"s land tax reform and diplomatic relations, which are two of his major contributions to Joseon. The tax reform seemed tacked on as an afterthought. It had been mentioned earlier in the drama"s run, but then dropped until the last hour.

This is a general pattern of the show. Drama"s with longer runs do have to pick and choose with plot threads to run with, but "The King"s Face" lacked consistency in almost all of the plot threads. The romance was used at will, which made the final goodbye between Gwanghae and the self-sacrificing Ga-hee lackluster. In fact, I don"t even get the last scene between them or why she was left alive. Another misused plot idea was the tensions between brothers who coveted the throne. That kind of tension molds and changes relationships. Brothers who care for each other have to struggle in their love. The only tension shown was Imhae"s never ending fury. I would"ve liked to see Jungwon, who admired his older brother Gwanghae, struggle with that admiration and the goal"s of his ambitious mother.

King Seonjo was another character I wanted to see more out of. Yes, he was weak, selfish, and a lackluster king, but his jealousy of Gwanghae and the innate competitiveness he felt towards his more competent son was not was used to its fullest. The reverse is true. Gwanghae was not unaware of his father"s emotions and still blindly worshiped him. It is part of what made Gwanghae a two dimensional character as well. He had all the makings of a hero, but his inner workings were not shown nearly enough nor did we see the emotional turmoil he felt when his father made bad decisions or when he felt jealousy or selfish anger. In fact, I don"t recall much selfish anger in this show. It was mostly righteous anger on behalf of his country, which is great, but it doesn"t help to flesh out Gwanghae. In fact, Gwanghae had very little fallibility, which made him boring.

Seo In-guk did the best he could with what he had. Based on his other work, Seo is a capable actor as are the other main leads who have impressive bodies of work behind them. I must conclude that the writing turned a cast of talented people into an army of stiff players who had little depth. As time went on, the performances became even more stilted as the characters became caricatures of heroic, evil, and subservient. The humanizing factor was lacking. On a few occasions there were some powerful moments, but they didn"t not carry nor were they replicated.

Do-chi, the ultimate villain, was the bad guy, but he wasn"t truly pitiable, which would"ve made him a fantastic villain. He drove himself insane trying to achieve his goal, twisting himself and the people around him to win. It"s such a fantastic, tragic character path that, in the end, was badly planned and timed so that his death meant little. It carried little emotional ambivalence or feelings of pity.

The face reading aspect of the show was also mismanaged in that it was utilitarian rather than a way of life for those who practiced it, but the ending statement was powerful: it isn"t the king"s face that should be read, but the people"s. The people reflect the work of the king. That was a powerful statement to be made when the ruling class has been, and continued to be, corrupt and selfish.

Do-chi, the ultimate villain, was the bad guy, but he wasn"t truly pitiable, which would"ve made him a fantastic villain. He drove himself insane trying to achieve his goal, twisting himself and the people around him to win. It"s such a fantastic, tragic character path that, in the end, was badly planned and timed so that his death meant little. It carried little emotional ambivalence or feelings of pity.

"The King"s Face" is not a show I"d recommend nor would I watch it again. It lacked heart, which is disappointing because the cast and the premise forecasted a better run.

Written by: Raine from "Raine"s Dichotomy"

Follow @ raine0211

"The King"s Face" is directed by Cha Yeong-hoon and Yoon Seong-sik, written by Lee Hyang-hee and Yoon Soo-jeong, and features Seo In-guk, Jo Yoon-hee, Lee Seong-jae, and Sin Seong-rok.

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