So apparently...ghosts can wear dresses? I would now not have any large logical issues of this, it is just that of the entire questions "Bring It On, Ghost" might be answering at this time "can ghosts wear dresses" in realitymoves me as the maximumbeside the point one. Similar tothe former episode, this episode is onlyany other restatement of the similar plot issues that ruledthe primary two. Bong-pal and Hyeon-ji have anatagonistic fun, Myeong-cheol isn'tan excessivelyjust right monk, Cheon-sang and In-rang are more than one dopes, and we still do not knowwhat is going on alongside Hye-seong.
Really. WriterLee Dae-il-Iis still going on about that stupid cat issue, which is some other very dulltale bespeakto listen on in a drama that isintended to be about struggling with ghosts. I will not figure out what is going on with the pacing. It appears likeevery new episode of "Bring It On, Ghost" is justan alternativeedition of the 1st one for the explanation that production team did notwould like toutterly throw out their old drafts.
Let's take Cheon-sang and In-rang. Up to nowthey arethe simplest real ones who werein a position to, on the alternative hand ineffectually, discover ghosts. Bong-pal and Hyeon-ji are wrapped up in their own little worlds and only ever slightly glaze over the backstories of the enemy ghosts ahead ofentering fights. Here's workable when the hostile ghosts are one-off jokes like the peeping tom schoolgirl crossdresser, or plain archetypes like the domestic abuser. Yet this episode and the final acceptattempted to do precise pathos with its ghosts, to limited effect.
Advertisement"Cheo Yong: The magical Detective"managed to drag this off a lot more effectively, because in that drama the lead personality and his allies were creating a proactive effort to locate ghosts, so the talespread outeven more organically. "Bring It On, Ghost" is the usage ofthe elementallayout of facing one-off ghosts without really working out how that logo of storytelling is meant to work. The result's colorful characters, yet not much else.
"Bring It On, Ghost" is beginning to wear out my patience. I amstarting toquery whether this drama used to be alwaysif truth be toldnicely storyboarded, or whether the pacing really is solely that bad. Without correct variation and flow in context the largest jokes in the sector get stale awfully quickly, and "Bring It On, Ghost" had lovely low forehead humor to get started out with. I would just really like to look more willpower to holistic storytelling and no more to particular person gags.