The 14 Maximum  Authentic Voices In K-Pop

The 14 Maximum Authentic Voices In K-Pop

The 14 MaximumOriginal Voices In K-PopRaine0211 June 25, 2016 0 The 14 Most Exotic Voices In K-Pop The diversity of K-pop is a phase of what makes it shine from Korea to all 4 corners of the globe. Voices of every kind have made themselves known, and some of the ones voices are so wonderfully singular that they are identifiable insidea couple of seconds of being attentive to them. They are the voices that make eyes widen in speedy recognition. We couldhave a look at 14 of the most unique crooners, rappers, and belters in K-pop that loversin each and everyunmarried placethe arena know and love.

Kim Tae Woog.o.d’s Kim Tae Woo is some of the original K-pop idols and he without a doubt shines as a sunbae with a strong, transparent voice and an talent to hit top notes with amazing alacrity. His thick tenor tones are obviously identifiable as he croons or belts on a solo stage, in tandem with g.o.d or, like the video below, in a funky duet with the joys and livid Jay Park.

(Listen to how robust and directlyahead his vocals are in “Lonely Funk” featuring Jay Park. The clarity of his vocal timbre is what makes him so unique.)

Jung Eun JiA Pink’s powerhouse vocalist Jung Eun Ji isn’t just a tendergirl amongsta large voice, she may beperson who possesses a vocal quality that makes her special. She has husky tones that also are reflected in her adorable Busan-accented speech. This quality provides her voice an otherworldliness that makes me would like to listen to it for days and days.

(Eun Ji’s identifymusic off of her first solo album, “Hopefully Sky” featuring Harim, is a candy tune where this belting queen gently pours out her soul. Even if she isn’t making a songat the louder facet of the spectrum, this talented lady’s husky tones are still captivating.)

Zion.TFunktastic singer Zion.T has one of the most unique voices in K-pop. His tenor vocals are tight, his rapping is high-pitched, wickedly timed, and he has this amazing nasal quality to his sound that makes him identifiable any place he performs.

(Zion.T’s 2015 single “Eat” presentations off that even in slower, more pensive tunes, the performer keeps his unique vocal birth and special vocal timbre.)

IUIU has a misleading voice. It’s breathy and turns out equallydespite the truth that it’s an excessively small instrument. Yet her ability to word lyrics and musical lines with adorable twinges of aegyo, the use of her exceptional breathy quality for unique phrasing, and her unexpected entrances with sudden big sounds that create unforeseenforged tones is what makes her this kind of unique singer. As she has matured, she has best furthered her skillsto take merit of her awesome instrument.

(Check out her hard-hitting single “Twenty-three” where she is the use ofa combination of vocal technique, spoken word, breathiness, and full-bodied 23-year-old vitalityto inform her tale of developing into a young woman.

OnewSHINee’s leader Onew, like Kim Tae Woo, has a full-bodied, simple songtool that cuts to the hearts of notes and, of course, straight into our swooning souls. Without problems identifiable, this unique K-pop voice is most prominentvia its thick tone and penchant for blues notes.

(Check out Onew’s courageous rendition of staple operatic tenor aria, “Nessun Dorma” from Puccini’s Turandot. Concentrate for purity of tone, drive of breath support, agile mountain climbing up and down his vocal range, and thick, solid vibrato.)

AliThis divine solo singer has a wide vocal diversity that glimmers with metal power, especially in her infrequentdecrease register. Under no circumstances does that observation intend to overlook her amazing belt that resonates with a husky richness that has touched audiences back and again.

(Ali’s rendition of “Does Somebody Know This Person” has Argentine undertones and Ali plays IT with intense vibrato, a pointed sound, and a huskiness that grows as her dynamic grows.)

G-DragonBIGBANG’s leader, rapper, singer, and style picture G-Dragon is, if not anything else, one of a kind. His intense, high-pitched voice makes for unique, piercing rap sequences, and temporarily identifiable vocalizations. His voice isn’t just limited to that, however. When he delves into his cut register, especially for some down and grimy rapping, he works in a fantastic breathiness that makes this K-pop icon a utterly unique voice to contend with.

(“One of a Kind” displays off no longer exclusively G-Dragon’s unique music style, but also his ability to control his voice and his rapping into the celebrated audiowe will identify within seconds of hearing it.)

JessicaFormer Women Generation singer and existing solo artist Jessica has one of the most identifiable voices in K-pop. It has metallic intensity, rapid vibrato, and a beautifulconvenience in her upper register.

(Jessica’s first single as a solo artist, “Fly” featuring Fabolous, shows off her new musical style, but retains her quintessential female sound.

XIA JunsuJYJ’s XIA Junsu is one of the most unique tenor voices on the market. It has an extraordinary slinkiness to it that manifests highest as travels up and down his vocal stove from inflexible highs to full-throated lows. He has an intensity to his vocal quality this is strangely complimented by a breathiness in his mid-register.

(Check out this loopy number, “Tarantallegra,” where Junsu shows off his tough upper sign upby contrast to guest rapper Flowsik.)

MinahOne of the most well knownfeminine singers in K-pop isn't buta sturdy vocal, but a different one as well. Girl’s Day’s Minah has a remarkable handling of her complete vocal register that's tinged by a gorgeous huskiness similar to A Pink’s Eunji. Unlike the stunning Eunji, the huskiness isn’t at all times present, giving her a unique ability to shuttleout and in of huskiness as she shapes her vocal melody.

(“The Guy Who Left Me,” a touching ballad, is carried out by Minah with agility and her same old sense of flair. Listen for her transitions from clean high notes to husky entrances of melodic punctuations.)

T.O.PBIGBANG’s guy of multi-talents has one of the most unique baritones in the business. T.O.P knows how to dig into his lower register and convey full-bodied raps that counter his leader’s headier rapping style. What makes his voice such a lotamusingto hear is its ability to play around with lower notes that aren’t typicallydiscovered in the K-pop that reveres belting energyhomes and crooning balladeers.

(T.O.P’s “Doom Dada” music video is as special as his voice. Listen to how he plays with his lower registers, dipping into his bass fluctuate and dancing around other vocal qualities to create a fun, crazy song.

Lim KimEven though Lim Kim isn’t a big voice, she is the epitome of unique. Her voice is light, agile, and akin to Norah Jones. She understands how to play with the various tonal colours found in her natural and herbal palette. Her phrase shipping is a mix of a swaying lilt unique to her voice and her special clutchof ways to infuse breathy sounds into her singing.

(Lim Kim’s “All Right” is a quirky number that proves that voices traveling off the beaten trail can funk it up just in addition the powerhouses on the market.)

Lee Hong KiAn inventory of unique voices would be thoroughly amiss without the soulful tones of FTISLAND’s Lee Hong Ki, the quintessential husky rock voice with agility that belies the ability of his instrument. His voice took the realm by hurricane when FTISLAND debuted and has only grown since. On most sensible of the uncooked power, he has wide, spell binding vibrato, and a cute little aegyo drawl that flows thru his verses.

(Check out Lee Hong Ki’s “Insensible,” the title track off of his first solo album. It perfectly shows off what makes Lee Hong Ki one of the most unique voices in K-pop. He has raw rock power no longerincessantly found.)

HyorinHyorin of SISTAR is a voice that can't exist left out. Like Lee Hong Ki, her huskiness and tool defines her vocal quality. She is so intensely smoky in timbre that her voice is haunting. In her instrument there also isthe facility to transition between the hoarse, the solid, and her wide register. Let alonethat after she sings, she’s just stuffed with somebody that crackles in her melodies and runs.

(Listen to her sing the staple “Fate” with agility, grace, and her trademark smoky tones. I specifically dear this functionality because she colors her voice to comparethe conventional Korean tools and then the fashionable instruments.)

Soompiers, who do you watched has the most unique voice in K-pop? Let us know in the comments below!Raine0211 is a lover of all things Korean, especially K-pop, K-drama, and Korean food. When she’s not writing for Soompi, she’s gambling the cello and singing. She fortunately indulges in a wide variety of K-pop, but her biases are SHINee, INFINITE, and VIXX. She lives with her sister and her two cats, Timmy and Momo, all of whom also love K-pop and K-dramas.

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