One benefit of slow pacing is that once characters in spite of everything act dynamically to transport the plot forward, it comes off as a authentic surprise. I used to be around every bit bewildered as Bonnie when apropos of not anything a love confession pops up, and had as little concept about what the correctreactionwill have to be. Granted, her weirdly uncommunicative stance instantly afterwards used to be a little annoying, even if Bonnie is so bad about verbal exchange in total that this is notprecisely a new personality trait.
By and large, though, this episode takes position from Soo-ho's point of view. And for onceRyu Jun-yeol's one guydisplay is relatively appropriate, as a result ofdirectionall and sundry has had that experience- waiting in greater panic for a transparent response whilst superficially acting like we do not care. Soo-ho is pretending to be a lovely person, which is beautiful inherently funny taking into account the episode began out with Bonnie explicitly declaring which personality characteristics he has that she likes, and none of them were at all standoffish.
Which makes sense when we imagine Soo-ho's beyond experience. While Soo-ho's loss ofenjoy is the foremostglaring culprit, I am more proneto indicate the finger at Seol-hee. Where Bonnie acts great yet fails to verbalize, Seol-hee is repeatedly giving Soo-ho verbal false hope while privately still making plans to leave the rustic on her in the pastmade up our minds timetable. I do no longer believe Seol-hee is doing this out of maliciousness- she just hasn't stuckdirectly tothe reality that her ideas of appropriatehabit are utterly incompatible with Soo-ho's.
AdvertisementWhile the romantic subject matteris reasonably strong, the major characters' other plot issues remain moderately weak. The production team is just not even pretending to care about the video game building anymore, and my eyes glaze over fairly much any time parental problems are discussed. Thoughthis can be more a relative problem."Oh Hae-Young Again"is so just right at facing parental considerationsanything else else is going to come off as substandard by comparison.
The secondary characters do pretty well, though.Lee Cho-heeis disproportionately adorable in comparison to her character's precise importance in the story. I truly like how Dal-nim jumps from being in whole freak-out mode to being romantically lovey-dovey at the drop of a hat. Once Dal-nim loses keep an eye on of one emotion, it is like the others sense a chance and get started dogpiling. What assists in keeping this from getting irritating is that the major lineament to endure the brunt of this inconvenience is Ryang-ha, who is simplyslightly unlikable sufficient to deserve it.